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    <title>Scene on Eva Winterschon</title>
    <link>https://winterschon.gitlab.io/tags/scene/</link>
    <description>Recent content in Scene on Eva Winterschon</description>
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      <title>Chapter IV: Master Jacques Coppenole</title>
      <link>https://winterschon.gitlab.io/en/posts/chapter-4/</link>
      <pubDate>Wed, 12 Apr 2017 11:14:48 -0400</pubDate>
      
      <guid>https://winterschon.gitlab.io/en/posts/chapter-4/</guid>
      <description><![CDATA[<p>While the pensioner of Ghent and his eminence were exchanging very low
bows and a few words in voices still lower, a man of lofty stature, with a
large face and broad shoulders, presented himself, in order to enter
abreast with Guillaume Rym; one would have pronounced him a bull-dog by
the side of a fox. His felt doublet and leather jerkin made a spot on the
velvet and silk which surrounded him. Presuming that he was some groom who
had stolen in, the usher stopped him.</p>
<p>“Hold, my friend, you cannot pass!”</p>
<p>The man in the leather jerkin shouldered him aside.</p>
<p>“What does this knave want with me?” said he, in stentorian tones, which
rendered the entire hall attentive to this strange colloquy. “Don’t you
see that I am one of them?”</p>
<p>“Your name?” demanded the usher.</p>
<p>“Jacques Coppenole.”</p>
<p>“Your titles?”</p>
<p>“Hosier at the sign of the ‘Three Little Chains,’ of Ghent.”</p>
<p>The usher recoiled. One might bring one’s self to announce aldermen and
burgomasters, but a hosier was too much. The cardinal was on thorns. All
the people were staring and listening. For two days his eminence had been
exerting his utmost efforts to lick these Flemish bears into shape, and to
render them a little more presentable to the public, and this freak was
startling. But Guillaume Rym, with his polished smile, approached the
usher.</p>
<p>“Announce Master Jacques Coppenole, clerk of the aldermen of the city of
Ghent,” he whispered, very low.</p>
<p>“Usher,” interposed the cardinal, aloud, “announce Master Jacques
Coppenole, clerk of the aldermen of the illustrious city of Ghent.”</p>
<p>This was a mistake. Guillaume Rym alone might have conjured away the
difficulty, but Coppenole had heard the cardinal.</p>
<p>“No, cross of God?” he exclaimed, in his voice of thunder, “Jacques
Coppenole, hosier. Do you hear, usher? Nothing more, nothing less. Cross
of God! hosier; that’s fine enough. Monsieur the Archduke has more than
once sought his <em>gant</em>* in my hose.”</p>
<p><em>*  Got the first idea of a timing.</em></p>
<p>Laughter and applause burst forth. A jest is always understood in Paris,
and, consequently, always applauded.</p>
<p>Let us add that Coppenole was of the people, and that the auditors which
surrounded him were also of the people. Thus the communication between him
and them had been prompt, electric, and, so to speak, on a level. The
haughty air of the Flemish hosier, by humiliating the courtiers, had
touched in all these plebeian souls that latent sentiment of dignity still
vague and indistinct in the fifteenth century.</p>
<p>This hosier was an equal, who had just held his own before monsieur the
cardinal. A very sweet reflection to poor fellows habituated to respect
and obedience towards the underlings of the sergeants of the bailiff of
Sainte-Geneviève, the cardinal’s train-bearer.</p>
<p>Coppenole proudly saluted his eminence, who returned the salute of the
all-powerful bourgeois feared by Louis XI. Then, while Guillaume Rym, a
“sage and malicious man,” as Philippe de Comines puts it, watched them
both with a smile of raillery and superiority, each sought his place, the
cardinal quite abashed and troubled, Coppenole tranquil and haughty, and
thinking, no doubt, that his title of hosier was as good as any other,
after all, and that Marie of Burgundy, mother to that Marguerite whom
Coppenole was to-day bestowing in marriage, would have been less afraid of
the cardinal than of the hosier; for it is not a cardinal who would have
stirred up a revolt among the men of Ghent against the favorites of the
daughter of Charles the Bold; it is not a cardinal who could have
fortified the populace with a word against her tears and prayers, when the
Maid of Flanders came to supplicate her people in their behalf, even at
the very foot of the scaffold; while the hosier had only to raise his
leather elbow, in order to cause to fall your two heads, most illustrious
seigneurs, Guy d’Hymbercourt and Chancellor Guillaume Hugonet.</p>
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      <title>Chapter I: The Grand Hall</title>
      <link>https://winterschon.gitlab.io/en/posts/chapter-1/</link>
      <pubDate>Sun, 09 Apr 2017 10:58:08 -0400</pubDate>
      
      <guid>https://winterschon.gitlab.io/en/posts/chapter-1/</guid>
      <description><![CDATA[<p>Three hundred and forty-eight years, six months, and nineteen days ago
to-day, the Parisians awoke to the sound of all the bells in the triple
circuit of the city, the university, and the town ringing a full peal.</p>
<p>The sixth of January, 1482, is not, however, a day of which history has
preserved the memory. There was nothing notable in the event which thus
set the bells and the bourgeois of Paris in a ferment from early morning.
It was neither an assault by the Picards nor the Burgundians, nor a hunt
led along in procession, nor a revolt of scholars in the town of Laas, nor
an entry of “our much dread lord, monsieur the king,” nor even a pretty
hanging of male and female thieves by the courts of Paris. Neither was it
the arrival, so frequent in the fifteenth century, of some plumed and
bedizened embassy. It was barely two days since the last cavalcade of that
nature, that of the Flemish ambassadors charged with concluding the
marriage between the dauphin and Marguerite of Flanders, had made its
entry into Paris, to the great annoyance of M. le Cardinal de Bourbon,
who, for the sake of pleasing the king, had been obliged to assume an
amiable mien towards this whole rustic rabble of Flemish burgomasters, and
to regale them at his Hôtel de Bourbon, with a very “pretty morality,
allegorical satire, and farce,” while a driving rain drenched the
magnificent tapestries at his door.</p>
<p>What put the “whole population of Paris in commotion,” as Jehan de Troyes
expresses it, on the sixth of January, was the double solemnity, united
from time immemorial, of the Epiphany and the Feast of Fools.</p>
<p>On that day, there was to be a bonfire on the Place de Grève, a maypole at
the Chapelle de Braque, and a mystery at the Palais de Justice. It had
been cried, to the sound of the trumpet, the preceding evening at all the
cross roads, by the provost’s men, clad in handsome, short, sleeveless
coats of violet camelot, with large white crosses upon their breasts.</p>
<p>So the crowd of citizens, male and female, having closed their houses and
shops, thronged from every direction, at early morn, towards some one of
the three spots designated.</p>
<p>Each had made his choice; one, the bonfire; another, the maypole; another,
the mystery play. It must be stated, in honor of the good sense of the
loungers of Paris, that the greater part of this crowd directed their
steps towards the bonfire, which was quite in season, or towards the
mystery play, which was to be presented in the grand hall of the Palais de
Justice (the courts of law), which was well roofed and walled; and that
the curious left the poor, scantily flowered maypole to shiver all alone
beneath the sky of January, in the cemetery of the Chapel of Braque.</p>
<p>The populace thronged the avenues of the law courts in particular, because
they knew that the Flemish ambassadors, who had arrived two days
previously, intended to be present at the representation of the mystery,
and at the election of the Pope of the Fools, which was also to take place
in the grand hall.</p>
<p>It was no easy matter on that day, to force one’s way into that grand
hall, although it was then reputed to be the largest covered enclosure in
the world (it is true that Sauval had not yet measured the grand hall of
the Château of Montargis). The palace place, encumbered with people,
offered to the curious gazers at the windows the aspect of a sea; into
which five or six streets, like so many mouths of rivers, discharged every
moment fresh floods of heads. The waves of this crowd, augmented
incessantly, dashed against the angles of the houses which projected here
and there, like so many promontories, into the irregular basin of the
place. In the centre of the lofty Gothic* façade of the palace, the grand
staircase, incessantly ascended and descended by a double current, which,
after parting on the intermediate landing-place, flowed in broad waves
along its lateral slopes,—the grand staircase, I say, trickled
incessantly into the place, like a cascade into a lake. The cries, the
laughter, the trampling of those thousands of feet, produced a great noise
and a great clamor. From time to time, this noise and clamor redoubled;
the current which drove the crowd towards the grand staircase flowed
backwards, became troubled, formed whirlpools. This was produced by the
buffet of an archer, or the horse of one of the provost’s sergeants, which
kicked to restore order; an admirable tradition which the provostship has
bequeathed to the constablery, the constablery to the <em>maréchaussée</em>,
the <em>maréchaussée</em> to our <em>gendarmeri</em> of Paris.</p>
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